Vengeance de los Muertos screening with Samurai Cop midnight 3/30 at Boston Underground

Vengeance de los Muertos is going to be screening at midnight along with the cult classic SAMURAI COP on March 30th, 2013 at the 15th annual Boston Underground Film Festival. I’ll be there. Tickets are $10.

(ticket purchase link below)
https://www.vendini.com/ticket-software.html?w=ddc492dcd92aced8f1986b7da52a688e&t=tix

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Vengeance de los Muertos – WORLD PREMIERE – SF Indiefest 2/16

I’m happy to announce, my new short film ‘VENGEANCE de los MUERTOS’ will be premiering at the San Francisco Independent Film Festival ( SF Indiefest ) on 2/16 @ midnight. I’ll be opening up for Manborg, a Canadian sci-fi film that premiered at last years Fantastic Fest in Austin. I’ll be in attendance for this event as well as some SF Indiefest parties. I’m really looking forward to this, if you’re in the neighborhood swing by and say “hi”. I’d love to see ya.

Address:

Roxie Theatre
3117 16th Street
San Francisco, California 94110

Tickets are $10

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Review – Silver Linings Playbook (2012) – dir. David O. Russell

This years Film Independent Forum 2012 (FIND Forum) opened with David O. Russell’s quirky love story, ” Silver Linings Playbook “. The film stars Bradley Cooper (The Hangover, Wedding Crashers, A-team) and Jennifer Lawrence (X-men, and the Hunger Games). Cooper is a recently released patient from a mental facility where he was serving a 10 month stay on a plea bargain for assaulting a colleague after catching he and his wife engaged in scandal. Determined to win her back he enlists the help of his best friend’s wife’s sister, played by Lawrence. She agrees help out in order to get closer to Cooper. Both stars play semi unbalanced characters very convincingly and the direction is top notch. Robert De Niro and Chris Tucker both play supporting roles adding a nice comedic touch. I can honestly say: I’m not really into romantic comedies, but if you see one this holiday season; make it Silver Linings Playbook. It’s scheduled to be released November 21st 2012.

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Voodoo Swing – Westcoast Boogie – playing tonight in BRAZIL as a part of CURTA8

Voodoo Swing’s music video for their song Westcoast Boogie is playing tonight as an official selection at CURTA8 Festival Internacional de Cinema Super 8 de Curitiba in Brazil.

For more info, check http://www.curta8.com.br/

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(on the big screen in Brazil)

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Voodoo Swing – Keep on Rollin’ to appear in competition in Szeged, Hungary

The super 8mm music promo I shot for Voodoo Swing’s album ” Keep on Rollin’ ” is an official selection at the 11th annual Super 8mm Fesztivál in Szeged, Hungary.

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Cannes Short Film Corner – SFC Breakfast

Earlier today I attended one of the Short Film Corner SFC Breakfast sessions. For those who have a film in the Short Film Corner, you are registered on a number mailers detailing various activities going on throughout the festival. The Breakfast’s are a series of “speed dating” style meetings where filmmakers get to pitch their film’s to distributors, television aggregators and screening venues for 5 minutes in a free-for-all roundtable breakfast setting.

I thought it was a good event, and I have some promising leads for my new short once its released. To be successful, you not only need to have artistic vision, good story telling abilities and all that. You also need to be a solid business person (or work with one). I can’t stress the importance of meeting people face to face in an event like this over blind email submissions.

Some of the companies represented at my sessions were:

    SHORT TV AND SHORT HD
    L´AGENCE DU COURT MÉTRAGE
    FESTIVAL DEL FILM LOCARNO
    TV3 TELEVISIO DE CATALUNYA
    DAZOO FILM AND MEDIA LTD
    etc…

Below is a copy of the email I received informing me I’d been selected

from: sfcbreakfast <sfcbreakfast@festival-cannes.fr>
to: sfcbreakfast <sfcbreakfast@festival-cannes.fr>
date: Sat, May 12, 2012 at 6:26 AM
subject: May 20th Breakfast Confirmation – Short Film Corner

Dear participant,

We are glad to inform you that you will be able to attend a Short Film Corner breakfast on Sunday, May 20th at 9 a.m.

This session will take place at the Terrasse du Festival (in the Palais des Festivals, Level 4). Please make sure to arrive on time.

Due to a very high number of requests, please note that:

– Only one person per request and per film will be accepted. If you have asked to attend with one or several collaborators, please choose only one person to represent your film.

– The breakfast time and date will not be subject to any change.

Looking forward to welcoming you in Cannes,

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Cannes Producers Workshop – Marche du Film

Established in 2011, the Producers Workshop is a relatively new development program sponsored by the Marché du Film, the market component of the Cannes Film Festival. Its purpose is to guide producers early in their careers. The program takes place the first three days of the festival, and consists of panels held by industry professionals. Each day is broken up into a morning session and an afternoon session with either a coaching session or a guided tour around lunchtime. In addition to panels, the Producers Workshop gives participants an opportunity to network with peers at a similar stage in the evolution of their careers. Finally, participants gain access to Cinando, an online database geared towards film sales and acquisitions.

Day One:

Day One started with an introduction by Lucius Barre and a panel. During the 80s, Barre oversaw the foreign advertising of numerous films, most notably, Bernardo Bertolucci’s, “The Last Emperor”. The panel discussed a perfect day at Cannes from the perspective of: a producer, a sales agent, and a distributor. Each had various anecdotes about what they were looking for on a day to day basis, and pointed out how it was often incongruous with the goals of the filmmakers that approach them.

Available via an additional signup process were lunchtime coaching sessions and a guided tour. I was admitted into the guided tour, provided by Sydney Levine, contributing editor for Indiewire. As we walked through the market, it was apparent how truly vast her network was; as the tour progressed we ran into numerous people she knew. Not only did she seem to know everyone, but she also had interesting stories to tell about each one of them.

The second session was on the topic of new media. It was stated, that if the buzzword of 2011 was, “co-productions” then this year’s buzzword [is] “transmedia”. More than once, I’ve been asked the question, “what is transmedia?” Transmedia was a term coined in the 90s, however it has really only hit its stride in the last couple years. My best description is, “a strategy of expanding a narrative across multiple ancillary platforms in an effort to increase awareness among consumers, often utilizing direct engagement models.” This can be achieved through web series, mobile content, video games; really the sky is the limit here, as long as the stories told support the brand.

Day One concluded with a happy hour / networking mixer that included hors d’oeuvres and a sponsored bar.

Day Two:

Day Two started with the panel, “Branding yourself and your projects”. Among the topics discussed were: preparation for meetings with financiers, sales agents and co-producers. How do you analyze and determine what the relevant facts are? And to whom do you present what? Who and when do you pitch? And finally, the do’s and don’ts of project presentation.

Again, lunch was occupied with coaching sessions or a guided tour.

The second session was on production finance and film funds. Throughout Europe, there are various incentives, both on the national and regional level, available to entice filmmakers to shoot in specific locations. In addition, co-production finance strategies were a big component to this year’s lecture. I would define an international co-production as: “a production in which two (or more) companies engage in a partnership with the intent of mitigating financial risk often leveraging governmental incentives as partial forms of financing.” During the panel we explored the various regions throughout Europe in which they gave an example finance breakdown for a specific feature film.

Day Three:

Day Three started off with the question, “What kind of producer are you?” Here the panelists asked the audience to question how they view themselves. What are their motivations for being a producer? Are they a “creative” producer, or “financial” producer; are they “hands on” or “hands off”? Oftentimes indie producers need to wear multiple hats. This panel was great at identifying comfort zones and, if necessary, pushing to reach outside of it.

Lunch consisted of a guided tour for those who hadn’t attended already.

Day Three ended with Angus Finney, from the Film London Production Finance Market, asking the question, “How do you produce for the international market?”. This was possibly my favorite panel. Topics included: what stage of development is an appropriate time to approach financiers; the importance of the package and the key elements; appropriate budgeting; jigsaw puzzle financing; sales and distribution partners; as well as closing the financing. This was a great way to end the program, as there were many elements in Finney’s presentation that were touched upon by others and he was able to wrap everything up nicely.

The Producers Workshop was highly informative and I’d recommend it to anyone in the early stages of their producing careers, especially for those residing in Europe.

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Vengeance de los Muertos pre-screening May 2012 at the Cannes Short Film Corner

My new short, VENGEANCE de los MUERTOS is going to have a pre-screening later this month at the Short Film Corner, part of the Marché du Film at the 65th annual Cannes Film Festival.

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Voodoo Swing – Westcoast Boogie

Here is companion piece to last year’s award winning Keep on Rollin’ promo. Directed by Steven Christopher Wallace for Electric Lotus Label.

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Keep on Rollin’ WINS Best Music Video at Long Shadow Film Festival

Just back from the Long Shadow Film Festival, where Keep on Rollin’ won Best Music Video / Documentary. Thanks to the festival programmers and to everyone involved.

long shadow film festival - best music video

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